2 weeks in Denver

aah! All caught up and I had a great time to get some practicing in for a while. I was working on a new composition using the stressed accents of a children's rhyme:

peter piper picked a peck of purple peppers,

a peck of purple peppers peter piper picked

if peter piper picked a peck of purple peppers,

how many peppers did peter piper pick?

I hear it as:

2+2+2+2+2+3

2+3+2+2+3

2+2+2+2+2+3

3+3+2+2+3

too nerdy?

I’ve also been thinking a lot about something Billy Drewes said about "playing different attitudes"

When we heard Cecille McLorin Salvant I was irresistibly reminded of this recording in particular:

https://www.youtube.com/watch?v=DtGqrwbyk4g

I think Sarah Vaughn perfectly embodies this idea of "playing different attitudes" and I think that is a huge part of what makes her so captivating for me. I hear this trait especially around 2:10 when she takes the bridge out. I feel like I hear her switch between faux operatic, childish whining, and earthy swinging all within one phrase. She also takes advantage of different registers to adopt different personas. Billy Drewes does this a lot too. Check him out on this video (playing clarinet!):

https://www.youtube.com/watch?v=49Oq9T-GVe

 

After a great time in Denver now I'm off to Palo Alto for three fun weeks at SJW! I'll keep you posted... I promise

PS no pretty pictures from CO this time, but I did capture a really great Vermeer from the Haigue. Worth a look I think